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Exhibition Notice: Flowing Order - Fine Print Collection Exhibition of the Dafen Art Museum

2026-01-17 13:38By ARTDAFEN
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>>>>>>>

FLUX AND ORDER

Flowing Order

Dafen Art Museum Collection of Fine Prints Exhibition

MASTERWORKS OF PRINTMAKING FROM DAFEN ART MUSEUM COLLECTION


ISPONSOR

DAFEN ART MUSEUMLONGGANG, SHENZHEN


EXHIBITION LOCATION

PERMANENT EXHIBITION HALL, FIRST FLOORDAFEN

ART MUSEUM, LONGGANG, SHENZHEN


PARTICIPATING ARTISTS

(Sorted by the first letter of the last name)

Cai Yuanhe Chen Xiaofeng Gu Xiuhua Guo Qingwen Jia Yongzhan

Li Kang, Li Quanmin, Li Rui, Li Xingteng, Liu Hongliang

Long Kai Pan Kai Shi Gang Shuai Bin Wang Yu

Xia Yuqing  Xie Yingyun  Zhang  Min  Zhang Yeping  Zhao Jianghua

Zhong Xi Zhu Biyun




Foreword

Printmaking  is an art form embodying  human wisdom and craftsmanship. Originating from ancient  Eastern woodblock printing, it has continuously evolved throughout the development of Eastern and Western art, expanding its expressive power. As a vessel of history, printmaking carries profound cultural significance; within the realm of contemporary art, it equally demonstrates innovative vitality. Its unique "printmark" language, "indirect" creative process, and characteristic "multiplicity" together construct an artistic domain that harmonizes structure with creativity.


"Order" is the core essence of printmaking art. Whether it be the lines and layers meticulously etched in intaglio (copperplate), the power and rhythm generated by the interplay of the carving tool's edge and wood grain in relief (woodblock), the precision and sense of order achieved through multi-layer registration in screenprinting (stencil), or the rational integration and creative application of diverse materials and techniques in mixed-media printmaking— each printmaking discipline demands that the creator adhere to specific rules, follow rigorous procedures, and respect the characteristics of the materials. The formation of the printmark is, in essence, a process of establishing order. This inherent "sense of order" constitutes the solid foundation of printmaking's formal aesthetics.


However, within this rigorous framework of "order," the force of "flux" perpetually exists. Artists, wielding keen perception and vigorous creativity, express rich emotions and ideas upon the established rules of printmaking. Each act of plate-making, inking, and pressing is both a manifestation of order and, more importantly, a free expression of the artist's individual spirit and the zeitgeist. It is precisely beneath this strict order of the printmark that artistic concepts, emotional expressions, and the spirit of the times achieve continuous flow and renewal.


While continuously developing its brand in oil painting, the Dafen Art Museum has long been committed to building a diverse and systematic art collection system, actively promoting the research, interpretation, and activation of its holdings. This exhibition, "Flux and Order: Masterpieces of Printmaking from the Dafen Art Museum Collection," is a concrete practice of this academic philosophy. Based on systematic organization and in-depth research into the museum's printmaking resources, the exhibition features a curated selection of outstanding works encompassing various types, including intaglio (copperplate), relief (woodblock), screenprint (stencil), and mixed media prints. The exhibition aims not only to showcase the diversity and depth of printmaking's intrinsic language but also, through the thematic curation of "Flux and Order," to activate the inherent connections and dialogues among the collection pieces, revealing the artistic logic and spirit of the times they embody.


Analysis of Selected Works

SELECTED WORKS APPRECIATION

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Order of Related Forms - 20, Cai Yuanhe, 60×80cm, color woodcut

2016




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"Double Walking 1" by Chen Xiaofeng, 50×67cm, watercolor woodcut, 2016




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"Return to Nature II" Gu Xiuhua 45×60cm Wood engraving 2015




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"The New Classic of Mountains and Seas Part One" by Guo Qingwen, 80×60 cm, print, year 2005.




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Flowers Bloom in Late Summer, A Dream of Past Glory (Part Two)Jia Yongzhan 80×60cm

Printmaking 2016




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"Silent Snowfall · Winter Solstice" Li Kang 80×80cm Woodblock 2013




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"Version • Erosion" No. 8 by Li Quanmin, 56×76cm, Mixed Media Print, Year 2001.




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"Little Nostalgia 3" by Li Rui, 50×50cm, woodblock print, 2020




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"Tiger-head Shoes" by Li Xingteng, 13×11.5cm, copperplate engraving, 2022




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"Continuation of the Thinker" Liu Hongliang 50×70cm Etching 2019




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"Deer Call in the Sea of Books" by Long Kai, 50×60cm, copperplate print, 2021.




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"Building Dreams Together" Pan Kai 60×102cm Copperplate print 2020



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"Incorrect Decomposition (Part One)" by Shi Gang, 60×100cm, copperplate engraving, 2013




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Candlelight · Blessing, Shuai Bin, 75×98cm, silk screen print, year 2004




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Dalian Art Museum Wang Yu 20×20 cm Meirouding 2018




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"Gazing at the Sun" by Xia Yuqing, 56×70cm, copper plate print, 2018.




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"Beautiful Times" by Xie Yingyun, 36×48cm, screen print, 2016




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"Building Hope" Zhang Min 60×90cmColored woodblock printThe year 2020




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"Breeze at 23 Degrees" by Zhang Yeping, 60×45cm, silkscreen, 2013




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"The Distant Past" by Zhao Jianghua, 66×100cm, Black and White Woodcut, 2019




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"The Disappearing Power" by Zhong Xi, 65×95cm, silk screen print, 2012.







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